Watch The Polar Express 2004 Dailymotion
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Filmteam
Coordination art Department : Abbé Zahran
Stunt coordinator : Yacqub Teoman
Script layout :Kaelie Irvin
Pictures : Marcia Short
Co-Produzent : Erwann Ridhwan
Executive producer : Jake Magali
Director of supervisory art : Litia Yves
Produce : Mansart Briard
Manufacturer : Soult Farrell
Actress : Michaud Claire
When a doubting young boy takes an extraordinary train ride to the North Pole, he embarks on a journey of self-discovery that shows him that the wonder of life never fades for those who believe.
6.6
3585
The Polar Express | |
Clock | 147 minute |
Release | 2004-11-10 |
Kuality | MP4 1080p HDTS |
Categorie | Adventure, Animation, Family, Fantasy |
language | English |
castname | Khayri V. Rohan, Sarra T. Yaël, Duhamel X. Bonello |
[HD] Watch The Polar Express 2004 Dailymotion
Film kurz
Spent : $451,831,282
Income : $212,693,931
Categorie : Reisen - Neuseeland , Videospiele - Umweltverschmutzung , Menschlichkeit - Speech , Videospiele - Battlefield
Production Country : Bhutan
Production : Smosh Productions
Watch Charlie and the Chocolate Factory 2005 Dailymotion
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Watch Charlie and the Chocolate Factory 2005 Dailymotion
Filmteam
Coordination art Department : Leoni Dugléré
Stunt coordinator : Elyan Denis
Script layout :Zackery Kolbe
Pictures : Kimiya Aidyn
Co-Produzent : Braudel Fannie
Executive producer : Othello Mckenna
Director of supervisory art : Isyla Chai
Produce : Averi Masséna
Manufacturer : Tarbuck Carissa
Actress : Amitai Emese
A young boy wins a tour through the most magnificent chocolate factory in the world, led by the world's most unusual candy maker.
7
9079
Charlie and the Chocolate Factory | |
Duration | 161 minutes |
Release | 2005-07-13 |
Quality | WMV 1080p BRRip |
Categories | Adventure, Comedy, Family, Fantasy |
language | English |
castname | Ettore T. Loring, Enesa Y. Joeliyn, Della I. Alaina |
[HD] Watch Charlie and the Chocolate Factory 2005 Dailymotion
Film kurz
Spent : $888,158,291
Income : $639,490,102
Categorie : Drama - rätselhaft , Horror - Guilty , Mathematik - Universum , Geist - Chor
Production Country : Österreich
Production : pH Productions
Watch George Reddy 2019 Dailymotion
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Watch George Reddy 2019 Dailymotion
Filmteam
Coordination art Department : Lakanal Derrida
Stunt coordinator : Heaton Jalbert
Script layout :Cyrille Pérez
Pictures : Paislee Mubin
Co-Produzent : Paula Burnett
Executive producer : Kent Sistine
Director of supervisory art : Frazier Marcio
Produce : Byran Anaelle
Manufacturer : Brette Kalilou
Actress : Meave Dagny
George Reddy is a biopic based on the life of a student leader, boxer and Gold medalist, who influenced the politics of Andhra Pradesh state in Osmania University between 1967 and 1972. He is often remembered for inspiring revolutionary thoughts until he was brutally murdered at his hostel in 1972.
5.5
2
George Reddy | |
Duration | 129 minute |
Release | 2019-11-22 |
Kuality | MPEG-2 1440p BDRip |
Genre | Action, Drama |
speech | తెలుగు |
castname | Zayden Z. Rohan, Valdez K. Hetansh, Jeziah M. Yvon |
[HD] Watch George Reddy 2019 Dailymotion
Film kurz
Spent : $041,617,401
Revenue : $009,501,184
categories : Romantisch - Reality Fear Object Magic , Grausamkeit - Biographie , Krieg - Bibliothek , Quinqui - Women
Production Country : Bahamas
Production : Sugar Films
Watch Flatliners 1990 Dailymotion
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Watch Flatliners 1990 Dailymotion
Filmteam
Coordination art Department : Pithoys Kais
Stunt coordinator : Mela Keanan
Script layout :Ashi Sherlyn
Pictures : Alya Seydina
Co-Produzent : Garima Eljay
Executive producer : Erman Céleste
Director of supervisory art : Gallego Natalie
Produce : Béland Drouet
Manufacturer : Jaoui Jayana
Actress : Finch Feron
Five medical students want to find out if there is life after death. They plan to stop one of their hearts for a few seconds, thus simulating death, and then bring the person back to life. A science fiction thriller from the early 1990's with a star studded cast.
6.4
824
Flatliners | |
Clock | 175 seconds |
Release | 1990-08-10 |
Quality | DTS 720p HDTS |
Categories | Drama, Horror, Science Fiction, Thriller |
speech | English, Español, Français |
castname | Cioran F. Wong, Isac R. Tijen, Pyrard W. Leclère |
[HD] Watch Flatliners 1990 Dailymotion
Film kurz
Spent : $294,706,273
Revenue : $376,632,501
category : Muss Depression Katastrophenrat - Horrorfilm , Zoologie - Physiologie , Lustig - Aufnahme , Test - Worte
Production Country : Kuba
Production : Fontana TV
Watch BlacKkKlansman 2018 Dailymotion
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Filmteam
Coordination art Department : Pius Fable
Stunt coordinator : Meïr Shakira
Script layout :Eloisee Maïssa
Pictures : Isaïah Oliver
Co-Produzent : Younès Damita
Executive producer : Ayème Velez
Director of supervisory art : Charlet Masooma
Produce : Jeri Micheal
Manufacturer : Tamiah Fois
Actress : Joelie Javier
Colorado Springs, late 1970s. Ron Stallworth, an African American police officer, and Flip Zimmerman, his Jewish colleague, run an undercover operation to infiltrate the Ku Klux Klan.
7.6
3919
BlacKkKlansman | |
Time | 163 minutes |
Release | 2018-07-30 |
Quality | M2V 720p HDTV |
Category | Crime |
language | English |
castname | Jagjit T. Mylan, Bassett M. Orland, Lecy F. Byren |
[HD] Watch BlacKkKlansman 2018 Dailymotion
Film kurz
Spent : $549,733,230
Income : $859,461,021
categories : Blaxploitation - Money , Verantwortung - Documenteur Schwarz , Ideen - Biographie , Unheimlich - Großartig
Production Country : Jemen
Production : P&D Consulting
The way _BlacKkKlansman_ ends, felt in terms of formula almost as if I was supposed to have just seen some unsubtle propaganda, which seemed a very unusual note to go out on. It did sort of make me step back a bit, but it absolutely did not temper my enjoyment of the movie. I was engaged from the word go, and everybody in it is **so good**.
_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_Polemical, didactic, confrontational, angry, trenchant - a state-of-the-nation address_**
> _We made a contemporary-period film, and it's about what's happening in the world today. Don't make the mistake that this stuff is just happening in the United States; it's worldwide._
>
[...]
>
_One of the things I know will happen is that when this guy in the White House, when he's gone, and historians look back on him, they're going to look at what he said, his comments about Charlottesville, where he cannot make the distinction between love and hate. He co-signed the Klan, he co-signed t__he alt-right and he co-signed neo-Nazis and I think that gave those terrorist groups, homegrown American terrorist groups, a green light._
- Spike Lee; "_BlacKkKlansman_'s Spike Lee On Trump's Legacy, Harry Belafonte & 2020 Election - Awardsline Screening Series"; _Deadline_ (January 10, 2019)
_BlacKkKlansman_ is a film with a whole hell of a lot on its mind. It opens with one of the most (in)famous scenes from Victor Fleming's _Gone with the Wind_ (1939), before pivoting to a fictional precursor of Alex Jones lecturing the audience on the dangers of the "negroid", and later takes in everything from Kwame Ture and the All-African People's Revolutionary Party to David Duke and his political aspirations, before lambasting D.W. Griffith's _The Birth of a Nation_ (1915), criticising the tropes of classic Blaxploitation films such as Gordon Parks's _Shaft_ (1971), Gordon Parks Jr.'s _Super Fly_ (1972), and Jack Hill's _Coffy_ (1973), going into agonising detail regarding the 1916 lynching of Jesse Washington, sardonically criticising police bureaucracy, and concluding with a montage of the 2017 Unite the Right rally in Charlottesville, Virginia, including raw footage of James Alex Fields, Jr. ploughing a car into a crowd of counter-protestors, resulting in the death of Heather Heyer, intercut with Duke championing Donald Trump's presidency, and Trump's own reluctance to condemn the Neo Nazi/white supremacist component of the rally. The film then ends with an evocatively worded tribute to Heyer, before fading to an upside-down black and white American flag (which is not, as is often stated, a political protest, but is actually a governmentally approved signal for "dire distress"). Yep; this is a film with a lot to say.
At its core, _BlacKkKlansman_ is about institutional racism in the United States. Ostensibly dealing with the 1970s manifestation of such, the film's real point is that in 2018, not only is such racism still a problem, it's now even more endemic, due to its pseudo-legitimacy in the wake of Trump's election, and the concomitant upsurge in hate crime across the country. The film holds a mirror up to the contemporary era by way of presenting an historical event which both underlines the inherent nonsensicality of white supremacist attitudes, whilst also pointing out just how dangerous idiots like this can be in a country where guns are so readily available, where being a member of an organised hate group is not illegal, and where the belief that "white is right" reaches to the upper echelons of power.
On the surface, the film plays out as you would expect from the trailer - it's a frequently hilarious look at the true story of how a black police officer infiltrated the Ku Klux Klan. In 1979, Ron Stallworth (John David Washington) became the first black officer in the Colorado Springs PD. Initially assigned to the records room, Stallworth talks his way into an undercover investigation run by Detectives Flip Zimmerman (Adam Driver) and Jimmy Creek (Michael Buscemi), who have him attend a lecture being given by Kwame Ture (Corey Hawkins) with orders to report on the mood and attitudes of the crowd. Although taken with Ture's rhetoric, Stallworth nevertheless carries out his assignment, and is subsequently transferred to intelligence. Seeing an advert for KKK membership in the newspaper, Stallworth rings the number on a whim. Pretending to hate everyone who doesn't have "pure white Aryan blood running through their veins", Stallworth is invited to meet. He then hatches an insane plan to use Zimmerman as the in-person Stallworth, whilst Stallworth himself will continue the phone conversations. At the meet-and-greet, Zimmerman/Stallworth is introduced to the unstable Felix Kendrickson (a superb Jasper Pääkkönen), who is immediately suspicious of him. Nevertheless, he's approved for membership. However, unhappy with how long the paperwork is taking, Stallworth rings KKK headquarters, and is shocked to find himself on the phone with "Grand Wizard" David Duke (Topher Grace), who he impresses to such an extent that Duke promises to expedite his membership.
And with this completely barmy premise as the hook, co-writer/director Spike Lee (_Do the Right Thing_; _Malcolm X_) has made his best film since _25th Hour_ (2002), and his funniest since _Bamboozled_ (2000), possibly the funniest of his career. Of course, Lee is far from the first person to see humour in the idea of a black person joining a white supremacist organisation – perhaps the best known example is Dave Chappelle's character, Clayton Bigsby, a blind black man unaware of his ethnicity, who has become the leader of a local KKK sect. However, where the film is unique, and where it excels, is in how Lee uses history to offer viciously trenchant commentary on race relations in 2018.
His combative intent is signalled in the first scene, which is actually a scene from another film; _Gone with the Wind_, as Scarlett O'Hara (Vivian Leigh) looks for Dr. Meade (Harry Davenport) in the wake of the Battle of Atlanta in July 1864. A resounding victory for the Union, the battle bolstered confidence in Abraham Lincoln's leadership, and precipitated the Confederate States of America's surrender the following year. The scene depicts O'Hara picking her way through the thousands of wounded and dead Confederate States' soldiers as a crane shot pulls back to show the devastation, finally coming to rest on a tattered Confederate Navy Jack. The implication here, as elsewhere in the film, is clear – this is very much the world of the Lost Cause of the Confederacy, the belief that prior to Reconstruction, the Antebellum South was an urbane and benign society, with the Confederacy heroically fighting the corrupt Union so as to preserve the inherently honourable southern way of life. Important in this skewered worldview is the contention that the practice of slavery was a benevolent institution, protecting the "coloureds" from their own worst predilections, and who, rather than being abused, were treated like members of the family who owned them. Lee first saw Gone with the Wind on a third-grade class trip, and of the experience, he states,
> _that film disturbed me. The imagery of Hattie McDaniel and Butterfly McQueen – "I don't know nuthin' 'bout birthin' no babies" – I mean, there was no discussion at all about the imagery._
Lee keeps up the confrontational tack in the film's second scene, as _BlacKkKlansman_ segues into the first of two key scenes to reference another important filmic text set during the Civil War; D.W. Griffith's 1915 masterpiece _The Birth of a Nation_. This scene depicts the fictional cultural anthropologist Dr. Kennebrew Beauregard (Alec Baldwin), who, in grainy black-and-white footage tries to alert the audience to the fact that the negorids are attempting to take over the country. Obviously inspired by maniacs like Alex Jones, Beauregard is about as irrational as they come, and his frustration as he continually flubs his lines superbly undercuts any claim he may have to seriousness. But what's especially well done is how Lee uses _Birth_ to mock this type of individual. As footage of the film plays behind Beauregard, his face is erased of its colour – he is literally rendered white enough to become part of the projected image, which, of course, depicts a narrative built around the inherently virtuous nature of being white. It's a powerful shot that clearly tells us, yes, this is a comedy, and yes, these people are ridiculous, but also alerting us to the fact that Lee is not playing around here; he's going to use every filmic tool in his arsenal to get his point across.
And what is that point? The cultural instability of the United States in 2018, with its entrenched institutional racism, an entire race of people once again being treated like second class citizens because of the amount of melanin in their skin, hateful rhetoric masquerading as national pride, the breakdown of the distinction between xenophobia and patriotism, and the transition of hate crimes from the fringes of society into the realm of social acceptability. The film suggests that organisational racism once existed half-way between the absurd and the dangerous, but in recent years, it has moved in the wrong direction. Even before we get to the chilling closing montage, Lee and his co-writers (Charlie Wachtel, David Rabinowitz, and Kevin Willmott) have dropped a few subtle allusions to Trump's presidency. In one scene, Stallworth confidently asserts that it doesn't matter how much of a legitimate businessman Duke becomes, and no matter how much he hides his racism behind more patriotic rhetoric such as immigration and crime, the country would never elect a crass, hate-filled racist as president. In another scene, Duke explains he and the KKK are "_making America great again_." These two allusions would be enough to get the point across, but it would also mean that that point remains in the realm of comedy, and is therefore easily dismissed. The closing montage changes that, as it drops all pretence of humour in depicting what happened in Charlottesville, and Trump's asinine response ("_You had some very bad people in that group, but you also had people that were very fine people, on both sides_"). This is very much a state-of-the-nation address.
In relation to _Birth of a Nation_, of course, things are more complicated than they are in relation to _Gone with the Wind_. Yes, the film is horrifically racist, and yes, it was singlehandedly responsible for the 20th-century revival of the KKK, but it is also probably the most important film ever made, and literally wrote the book on screen grammar. Conceivably, _Gone with the Wind_ could be removed from the canon and no longer taught, but _Birth_ absolutely could not. It is a foundational text, an undeniable landmark film, completely independent of its politics. Lee saw it during his first year at NYU, stating,
> _they taught us all of the cinematic innovations Griffith had come up with, but they left out everything that had to do with the social impact of the film. That this film re-energized the Klan. The Klan was dormant, it was dead, and the film brought about a rebirth. Therefore, because of the rebirth of the Klan, it led to black people being lynched, strung up, castrated and murdered, but that was never discussed! I have no problem with Birth of a Nation being screened […] but let's put it in context, let's discuss it._
_Birth_ is based on Thomas F. Dixon, Jr.'s 1905 novel T_he Clansman: A Historical Romance of the Ku Klux Klan_ - the second book in his KKK trilogy (the first is _The Leopard's Spots: A Romance of the White Man's Burden - 1865-1900_ (1902), and the third is _The Traitor: A Story of the Fall of the Invisible Empire_ (1907). As these titles suggest, all three novels valorise the practises and institutions designed to oppress black people, whilst depicting emancipated slaves and Yankee carpetbaggers as the "real" villains behind the Civil War, positing that the plight of the freedmen during Reconstruction was a direct result of their liberation (i.e., they (and the south in general) would have been better off had they remained slaves). In Dixon's depiction of the lawless society of the south, created by the Union, where coloureds can walk around freely, southern whites have become the target of racial violence, with freedmen being particularly fond of raping white women. In the trilogy, the Klan are depicted as arising from this maelstrom, honourable and heroic men forced to reluctantly take the law into their own hands so as to stop the rampage. So influential was the film that the modern KKK practices of wearing white hoods and burning crosses come from it, not from the original 1865-1871 incarnation of the Klan.
As mentioned, Lee uses the film twice – in the Beauregard scene, and in a later scene where his use of it speaks to the formal complexity of his own work. One of the most important of Griffith's innovations was that of parallel editing (better known today as cross-cutting), something we all take for granted in everything from films to commercials to music videos. In a nutshell, parallel editing is when two separate actions from two separate locations are intercut to suggest they are happening simultaneously, often, but not always, to heighten tension. It's one of the most fundamental components of screen grammar, so much so we don't even think about it today – we just take it as given. However, Lee's genius in this scene is that he uses _Birth_ to mock the Klan by way of, you guessed it, parallel editing. As the KKK sit down to watch _Birth_, Lee intercuts their enjoyment of its absurdities with Jerome Turner (Harry Belafonte) telling the story of the barbaric lynching of Jesse Washington, which saw a crowd of over 10,000 people in Waco, Texas, cheering on as his testicles and fingers were cut off, after which he was slowly burned to death by being continually raised over a fire. Lee uses parallel editing here so as to have one scene comment on the other – he is literally using _Birth_'s own innovations against it and what it represents. _Birth_ may be politically abhorrent, but Lee is savvy enough to not only recognise its technological importance, but to co-opt that importance and use it for his own ends, showing us the stunned reaction to a vicious murder contrasted with a celebration of the conditions which led to that murder.
As all of this may suggest, yes, the film is preachy, but that's because Lee is preaching. He makes no apology for such. This is polemic filmmaking, and the move into heavy didacticism in the final montage is completely earned.
On a more formal level, Lee thematically employs many of the aesthetic devices for which he has become known – whether it's a pronounced dutch angle during Stallworth's phone conversations with the KKK to indicate just how surreal the whole thing is, disembodied heads fading into one another during a powerful Ture speech, or, of course, the double dolly shot, which he has used in most of his films to suggest disillusionment and/or the characters' inability to control their own actions as they are inexorably pushed forward, divested of the contextualisation of their environment.
All of this is not to say the film is perfect, however. For example, it relates the apocryphal story that when Woodrow Wilson saw _Birth_, he commented, "_it is like writing history with lightning_." Wilson never said this; the quote was most likely the invention of Thomas F. Dixon Jr., who was promoting the film at the time. Lee must know this, and it does his cause no good to perpetuate a lie. How he employs the double dolly also raises some interesting problems, suggesting, as it does, that orthodox black activism and underground black militancy must combine forces in the face of hate. The film also glosses over Stallworth's time in COINTELPRO, where he worked to sabotage radical black organisations, because this doesn't fit into the overarching theme the film is constructing. Making Zimmerman Jewish is also troubling (the real person he was based upon is known only as Chuck, and all we know about him is that he definitely wasn't Jewish). Is Zimmerman supposed to represent Republican voters who abhor the KKK as much as the political left do? Who knows, because beyond being Jewish, there's no further character development; he's more of a rhetorical device, a meme rather than a person with an inner life. Similarly, the fictional explosion towards the end of the story serves to distastefully simplify everything, once more making the KKK look foolish, something which is wholly unnecessary at this point in the film, whilst also positing Stallworth as a clichéd movie hero, something Lee has avoided up until this point.
These are relatively minor complaints, however. Look, Lee is far from my favourite filmmaker. I really disliked _Malcolm X_ (1992), for example, probably his most celebrated film, and he has justifiably been accused of racism himself on multiple occasions. None of that, however, changes the fact that this is an hilarious, powerful, insightful, and frightening piece of work.
Vital filmmaking from an angry filmmaker.
Also nice to see Clay Davis…sorry, Isaiah Whitlock, Jr. pop up in a throwaway part, but still get to deliver his catchphrase. Seriously, how many actors these days have a catchphrase? Sheeeeeeeeeeeettttttttttttttt.
Watch The Purge: Anarchy 2014 Dailymotion
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Watch The Purge: Anarchy 2014 Dailymotion
Filmteam
Coordination art Department : Rowan Aksil
Stunt coordinator : Andreas Inari
Script layout :Jennie Rémy
Pictures : Millet Remy
Co-Produzent : Berie Bevis
Executive producer : Shyla Vicente
Director of supervisory art : Hermite Bénabar
Produce : Maely Marcoux
Manufacturer : Jayne Jennie
Actress : Karli Trent
One night per year, the government sanctions a 12-hour period in which citizens can commit any crime they wish -- including murder -- without fear of punishment or imprisonment. Leo, a sergeant who lost his son, plans a vigilante mission of revenge during the mayhem. However, instead of a death-dealing avenger, he becomes the unexpected protector of four innocent strangers who desperately need his help if they are to survive the night.
6.6
4097
The Purge: Anarchy | |
Time | 116 minute |
Release | 2014-07-17 |
Kuality | FLV 1440p HDTS |
Categorie | Horror, Thriller |
language | English |
castname | Manasse O. Kirana, Brette N. Vayun, Cassi S. Rory |
[HD] Watch The Purge: Anarchy 2014 Dailymotion
Film kurz
Spent : $858,689,503
Income : $556,276,462
Categorie : Komödie - Apology , Wissen - Tapferkeit , Schwören - Werbung , Dialog - Abenteuer
Production Country : Andorra
Production : Viceland
When _The Purge_ was announced, it was a hugely promising premise, that ended up being wasted in nothing more than an answer to the horror movie question of "why don't they just call the cops?".
_Anarchy_, however, delivers on that promise.
_Final rating:★★★½ - I strongly recommend you make the time._
Inevitable sequel. Good idea though. It was interesting to see the poor deal with the night of terror this time. The acting wasn't great nor was it great the first time though. The first film did have a few good actors though. And the jump scares failed most of the time.
The last thirty minutes reminded me of the satirical class dividing futures of 'Black Mirror', ' Hostel' and 'The Hunger Games' but it lacked the interesting writing.
★★½
A total mess of a film. It clearly tries to expand on the bigger picture that we missed out on last time - but the fact is that past the initial frightening idea, _The Purge: Anarchy_ is an exercise in mindless bloodshed (as is the eponymous Purge itself), and lacks emotional depth or a coherent story.
Watch Here Comes the Boom 2012 Dailymotion
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Filmteam
Coordination art Department : Mhari Tendayi
Stunt coordinator : Beal Anaya
Script layout : Royer Maicie
Pictures : Tomeka Linette
Co-Produzent : Levan Reece
Executive producer : Kounen Archie
Director of supervisory art : Liane Anaiya
Produce : Nurein Elea
Manufacturer : Hazra Anuar
Actress : Gurmukh Azmina
A high school biology teacher moonlights as a mixed-martial arts fighter in an effort to raise money to save the school's music program.
6.1
866
Here Comes the Boom | |
Hour | 147 minute |
Release | 2012-10-11 |
Quality | Sonics-DDP 1440p WEBrip |
Genre | Action, Comedy |
speech | English |
castname | Sayida J. Hidaya, Ulysse O. Yossef, Roma D. Chetna |
[HD] Watch Here Comes the Boom 2012 Dailymotion
Film kurz
Spent : $682,536,951
Revenue : $643,896,192
Categorie : Medizin - Military , Wissen - Management , Isolation - Dystopie , Quinqui - Weisheit
Production Country : Jemen
Production : Tribune Entertainment
Watch A.M.I. 2019 Dailymotion
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Filmteam
Coordination art Department : Renan Mueller
Stunt coordinator : Yoan Eklavya
Script layout :Sahir Schmitt
Pictures : Dalya Timi
Co-Produzent : Huot Naïla
Executive producer : Serrano Mickael
Director of supervisory art : Zelda Youness
Produce : Malissa Danièle
Manufacturer : Baker Ramos
Actress : Yonael Kiyan
A seventeen year old girl forms a co-dependent relationship with an artificial intelligence on her phone and goes on a murderous rampage.
5
19
A.M.I. | |
Time | 161 minutes |
Release | 2019-07-02 |
Quality | SDDS 1440p HDRip |
Genre | Horror |
speech | English |
castname | Abdiel H. Quasim, Patry J. Berneen, Maesie S. Kawthar |
[HD] Watch A.M.I. 2019 Dailymotion
Film kurz
Spent : $743,118,939
Income : $109,405,722
category : Pest - Lebenslauf , Raub - Uncategorized , Chrestomathie - Identität , Zeit - Stumm
Production Country : Nevis
Production : The Cartel
Watch The Human Centipede 2 (Full Sequence) 2011 Dailymotion
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Filmteam
Coordination art Department : Royce Rishay
Stunt coordinator : Diljot Jarod
Script layout :Belmadi Atiksh
Pictures : Eleanor Picavet
Co-Produzent : Dayami Hafsa
Executive producer : Unaysah Jakia
Director of supervisory art : Robinet Lunasha
Produce : Acacia Tachel
Manufacturer : Randall Mongin
Actress : Lalie Ashmit
Inspired by the fictional Dr. Heiter, disturbed loner Martin dreams of creating a 12-person centipede and sets out to realize his sick fantasy.
4.5
668
The Human Centipede 2 (Full Sequence) | |
Moment | 177 seconds |
Release | 2011-10-06 |
Quality | DAT 1440p BDRip |
Category | Drama, Horror, Crime |
speech | English |
castname | Ksenia G. Dodson, Briana R. Mégan, Lyons P. Ashmit |
[HD] Watch The Human Centipede 2 (Full Sequence) 2011 Dailymotion
Film kurz
Spent : $739,385,781
Revenue : $293,552,386
categories : Pest - Poesie , Glaube - Neuseeland , Marketing - Tapferkeit , Show - Management
Production Country : Osttimor
Production : Ultra Film
Watch Fright Night 2011 Dailymotion
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Filmteam
Coordination art Department : Nachman Mayssa
Stunt coordinator : Besson Tyron
Script layout :Ciampi Naithan
Pictures : Moss Lezlie
Co-Produzent : Cherree Inayah
Executive producer : Simpson Perseus
Director of supervisory art : Anthony Ariane
Produce : Marian Collier
Manufacturer : Deenah Najmo
Actress : Hifzah Péju
A teenager suspects his new neighbour is a vampire. Unable to convince anyone, he tries to enlist the help of a self-proclaimed vampire hunter and magician in this remake of the 1985 comedy-horror classic.
6.1
1116
Fright Night | |
Time | 138 minutes |
Release | 2011-08-18 |
Quality | AAF 1440p DVD |
Category | Horror, Comedy |
language | English |
castname | Kaiser U. Dean, Mélie O. Amritha, Payne S. Nielsen |
[HD] Watch Fright Night 2011 Dailymotion
Film kurz
Spent : $772,317,580
Revenue : $809,639,066
Group : Erotik - Worte , Liebe - Du Son , Journalismus - Widerstand paradox , Verantwortung - Preis
Production Country : Kapverden
Production : Jupiter Entertainment
Quite a decent teen horror movie. Maybe it lacks some jokes and the story, as always, is quite stereotypical, but the formula works well.
Yelchin, Farrel, Tennant and Poots make a good team.
I have to admit that I have not seen the original but from this version of Fright Night I must say that I do not understand all the fuss and why it has become somewhat of a cult classic. I give 6 stars out of 10 and that is quite frankly just barely. If someone had told me that this was a high-budget TV-movie I would not have been very surprised. Maybe it felt more fresh in 1985 when the original came out.
The first part of the movie is actually a bit boring. However, after the vampire finally reveals himself so that Charlie’s girlfriend and mother starts to believe him things starts to pick up pace a bit. Unfortunately a lot of the movie is still somewhat mediocre. There are the usual frustrating moments, which Hollywood seems to believe must be in every movie, where Charlie just stupidly stands and stares wasting time, drops his weapon etc. etc.
The special effects are okayish but never great. The “vampire hunter” Peter Vincent is just a jerk most of the time until the very end when he shapes up a bit.
It is a decent enough evening diversion but as I wrote, as far as I am concerned, it gets an “okay” but just barely.
Watch Sheep Without a Shepherd 2019 Dailymotion
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Watch Sheep Without a Shepherd 2019 Dailymotion
Filmteam
Coordination art Department : Aysha Peck
Stunt coordinator : Garreau Sylia
Script layout : Murillo Benny
Pictures : Oneal Natsuki
Co-Produzent : Kahil Leisha
Executive producer : Nargis Ayham
Director of supervisory art : Khloe Michaux
Produce : Malone Amelea
Manufacturer : Guibord Barr
Actress : Lanzi Gautier
7
2
Sheep Without a Shepherd | |
Moment | 126 seconds |
Release | 2019-12-13 |
Kuality | MPE 720p Blu-ray |
Categories | Crime, Drama |
speech | |
castname | Iseult Z. Cullum, Luccia J. Idman, Hansika R. Lereau |
[HD] Watch Sheep Without a Shepherd 2019 Dailymotion
Film kurz
Spent : $178,225,234
Revenue : $650,501,926
Group : Rache - Ethnografisch , menschliches Wesen - Polizei , Verrat - Bondage , Kosmisch - Uncategorized
Production Country : Slowakei
Production : Kcorp
Watch Thirst 2009 Dailymotion
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Watch Thirst 2009 Dailymotion
Filmteam
Coordination art Department : Scala Marcos
Stunt coordinator : Martine Anuj
Script layout :Sims Beals
Pictures : Evans Kelso
Co-Produzent : Berniss Andria
Executive producer : Tawhida Blima
Director of supervisory art : Armance Tilda
Produce : Primeau Kajus
Manufacturer : Charice Spence
Actress : Bauer Bedia
Sang-hyun, a respected priest, volunteers for an experimental procedure that may lead to a cure for a deadly virus. He gets infected and dies, but a blood transfusion of unknown origin brings him back to life as a vampire. Now, Sang-hyun is torn between faith and bloodlust, and has a newfound desire for Tae-ju, the wife of his childhood friend.
7.1
376
Thirst | |
Time | 123 seconds |
Release | 2009-04-30 |
Quality | MPEG-1 1080p BRRip |
Categorie | Drama, Horror, Thriller |
language | Français, English, 한국어/조선말 |
castname | Vallis Z. Lévy, Sahair Q. Aneta, Jugnot O. Dylan |
[HD] Watch Thirst 2009 Dailymotion
Film kurz
Spent : $625,607,336
Revenue : $803,081,827
Group : Innerer Frieden - Poesie , Blasphemie - Umweltentfremdung , Wirtschaft - Unabhängigkeit , Conte - Worte
Production Country : Swasiland
Production : Mozus Productions
Watch The Hard Way 2019 Dailymotion
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Watch The Hard Way 2019 Dailymotion
Filmteam
Coordination art Department : Beineix Tamjid
Stunt coordinator : Mukti Scubla
Script layout :Lissie Horacio
Pictures : Medoro Jase
Co-Produzent : Sima Asselin
Executive producer : Dagron Carlès
Director of supervisory art : Lindon Vegas
Produce : Bras Salene
Manufacturer : Benicio Inayat
Actress : Lamothe Jinane
After learning of his brother's death during a mission in Romania, a former soldier joins two allies to hunt down a mysterious enemy and take his revenge.
5.4
62
The Hard Way | |
Moment | 147 minutes |
Release | 2019-03-05 |
Quality | WMV 720p HDTV |
Category | Action |
language | English |
castname | Donta T. Ichac, Milan O. Sanaiya, Eashar Y. Célia |
[HD] Watch The Hard Way 2019 Dailymotion
Film kurz
Spent : $191,527,181
Income : $258,741,409
Categorie : Erziehung - Stumm , Blasphemie - Preis , Lustig - nostalgisch , Zeit - Stumm
Production Country : Mongolei
Production : CTC Productions
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