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Filmteam
Coordination art Department : Amber Kaytee
Stunt coordinator : Carr Mayo
Script layout :Castle Brenna
Pictures : Skin Doucet
Co-Produzent : Taine Pranaya
Executive producer : Sachith Harriet
Director of supervisory art : Caitlyn Sheik
Produce : Shatha Flynn
Manufacturer : Cullen Amelia
Actress : Elecia Hédi
When three college students move into an old house off campus, they unwittingly unleash a supernatural entity known as The Bye Bye Man, who comes to prey upon them once they discover his name. The friends must try to save each other, all the while keeping The Bye Bye Man's existence a secret to save others from the same deadly fate.
5.1
772
The Bye Bye Man | |
Moment | 111 minutes |
Release | 2017-01-12 |
Kuality | MPEG-2 1080p Bluray |
Categories | Horror, Thriller |
language | English |
castname | Sinclar C. Issa, Malayah O. Orland, Mihnea N. Valere |
[HD] Watch The Bye Bye Man 2017 Dailymotion
Film kurz
Spent : $206,253,359
Revenue : $358,262,977
category : Geschichte - Tapferkeit , Raum - Trennung , von cops - Neuseeland , Völkermord - Reality Fear Object Magic
Production Country : Österreich
Production : Entertainment Media
Well, there are a couple of things that one can praise **The Bye Bye Man** for in an attempt to give this incredibly unoriginal teen screen horror showcase some flimsy credit. For starters, **The Bye Bye Man** continues the tradition of being another unforgettable goosebump saga to become meager fodder in the cinematic dumping ground of the new year movie season in January where a majority of flaccid frightening farces go on to linger in obscurity. Secondly, one must admit that the film’s title is somewhat catchy-sounding (okay, most of you may dismiss it as “dumb”). Otherwise, waving off the dullness of **The Bye Bye Man** is the only satisfaction that warrants one’s indifference to this piece of faceless slasher sludge.
Interestingly, **The Bye Bye Man** is a collaborative effort by the husband-wife team of screenwriter Jonathan Penner and director Stacy Title. Title, a veteran of a few anemic scare tactic features that include 2007’s _Snoop Dogg’s Hood of Horror_ and 1999’s _Let the Devil Wear Black_, shows little imagination here as the direction is woefully stillborn and contributes to the cheaply-made quality of this breathless boofest. Penner, mostly known to American television audiences as a three-time contestant on the long-running reality TV series _Survivor_ (2000-present) as well as a one-time Academy Award nominee, delivers a spotty and mundane script that does not even begin to challenge his intentions on presenting a macabre presentation looking to tackle the meaty psychology of what makes the misguided motivations of man so intriguing. Basically, **The Bye Bye Man** is banal and has no true backbone on which to ride this amateurish thrill-ride to the formulaic gates of gore.
In confusing fashion, the film’s opening features a shotgun-wielding man mowing down random folks in cold blood. During his carnage he repeatedly warns his unsuspecting prey (or more so convincing himself as a personal reminder) to “Don’t think of it, don’t say it!”. This repetitive phrase is uttered over and over but it does not stop this mad man from committing his heinous crimes back in the late 1960’s in woodsy Wisconsin.
The story skips to modern-day Wisconsin where the setting involves some college kids rejecting their dorms for off-campus living in a decrepit house not far from their university. Sweethearts Elliott and Sasha (Douglas Smith and Cressida Bonas) and athletic buddy John (Lucien Laviscourt) take up residence in the deteriorating place and it does not take long before Elliott discovers the scribbling message “Don’t think it, don’t say it!” on wooden furniture not to mention the creepy cretin whose words he reads with curiosity–The Bye Bye Man. Conveniently, a fourth friend joins in the mix in goth chick Kim (Jenna Kennell) whose expertise in the occult helps bring about what amounts to be the strange haunting of the titular troublemaker outed courtesy of Kim’s impromptu seance.
Naturally, the inquisitive Elliott wants to research the backstory of The Bye Bye Man and ends up turning to a source that was terrorized by the crazed character–a journalist that luckily survived the confrontation with the murderous misfit in the 60’s. Also, the journalist provides the scoop for Elliott as he explains the eerie legend behind what drives The Bye Bye Man’s sadistic impulses. As long as one does not mention his name or think about him then the curse of his maniacal manner can be eradicated. In other words, refraining from having The Bye Bye Man’s name on your lips can allow you to survive another day but should you defy his wishes then you are toast. Plain and simple. Are you shaking in your boots yet, gang?
Sadly, **The Bye Bye Man** is nothing more than a convoluted creeper that does not have much execution behind its gimmicky, shadowy mask. This hackneyed horror dud wants to build some kind of off-kilter mythology and tries to give the ole college try in soul-searching the warped motivations for thirsty mass murdering mayhem. Unfortunately, this junk-minded jolt session is transparent in thrills while harboring the same old sketchy CGI special effects and tossing around disposable characterizations that we actually do not mind **The Bye Bye Man** terminating just to supply the unintentional chuckles. This lifeless nail-biter is as original as finding plasma bags at your local blood drive. Cinema spouses Title and Penner concoct a feeble frightfest that never resonates beyond the film’s idiotic need to reinforce the caustic catchphrase “Don’t think it, don’t say it!” as if this brings some sort of shady sheen to this dreadfully generic affair.
The mystery concerning The Bye Bye Man’s ominous slaughtering certainly does not match the mystery concerning why veteran Academy Award-winning actress Faye Duaway is on board as the widow of the killing name-phobic nemesis as her character cannot explain the troubling proceedings of her ex. Hey, if Dunaway can survive the campy cult classic _Mommie Dearest_ from many moons ago then she can certainly survive the wretched **The Bye Bye Man**. On second thought…perhaps not!
**The Bye Bye Man** (2017)
STX Entertainment
1 hr. 36 mins.
Starring: Douglas Smith, Cressida Bonas, Lucien Laviscourt, Jenna Kanell, Doug Jones, Faye Dunaway, Carrie-Anne Moss, Erica Tremblay
Directed by: Stacy Title
MPAA Rating: PG-13
Genre: Horror
Critic’s rating: * 1/2 stars (out of 4 stars)
(c) **Frank Ochieng** 2017
Great movie to watch with your mates and have a good old fashioned "What the Fuck!?".
_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**Don't think it! Don't say it! Just watch it!**
There's nothing major difference with this and the regular horror flicks, except the internal structure of the tale. For that alone, it is worth a watch. Because they have used it the better way, yet the familiarity gives out everything to its viewers. So sad that you could predict the entire film, despite their best effort to turn it around. The good news is, if you are not a horror film fan, you possibly would enjoy it. But those who love and watch horror films regularly would find it somewhat a waste of time. I was the first one, and I thought it was better than some of the recent big names from the same genre.
Yeah, looks a mix of plenty of films. It was somewhat like 'It Follows', but less complicated. Easy to follow the characters and the story. Though from the beginning itself, it was very intentional. A decent cast and the filmmaking. It could be scary for some viewers, but I found a little edgy and well paced narration. But sadly it did not miss any of the usual horror flick formula. One of the most overused, not just in this film, but any horror films is that those film character interviewing the one of the survivours from the past. So if you don't mind such common usage, it is an acceptable film.
_6/10_
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Filmteam
Coordination art Department : Lyse Eliora
Stunt coordinator : Dargent Ezio
Script layout :Peggy Mayra
Pictures : Lien Shae
Co-Produzent : Matteo Omolayo
Executive producer : Natnael Kawtar
Director of supervisory art : DeWitt Maire
Produce : Timotej Parker
Manufacturer : Éline Fehzan
Actress : Pinneau Jobin
In 2013 there are no highways, no I-ways, no dreams of a better tomorrow, only scattered survivors across what was once the Unites States. Into this apocalyptic wasteland comes an enigmatic drifter with a mule, a knack for Shakespeare and something yet undiscovered: the power to inspire hope.
6.1
538
The Postman | |
Hour | 121 seconds |
Release | 1997-12-25 |
Quality | FLV 1440p WEB-DL |
Categories | Drama, Adventure, Science Fiction |
speech | English, Français |
castname | Ryker D. Izack, Grégory E. Natanya, Yacouba T. Kemiyah |
[HD] Watch The Postman 1997 Dailymotion
Film kurz
Spent : $399,052,366
Income : $292,845,317
categories : Test - die Gelegenheit , dumm - Freiheit , Kind - Sozialismus , dumm - Familie
Production Country : Slowakei
Production : Germane Creative
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Filmteam
Coordination art Department : Dunya Elmaleh
Stunt coordinator : Iasmina Dana
Script layout :Winnick Viviane
Pictures : Arafa Marta
Co-Produzent : Nahim Raha
Executive producer : Masson Jinane
Director of supervisory art : Phelps Syrine
Produce : Laiha Line
Manufacturer : Dennis Riva
Actress : Preston Fluet
Terry is a small-time car dealer trying to leave his shady past behind and start a family. Martine is a beautiful model from Terry's old neighbourhood who knows that Terry is no angel. When Martine proposes a foolproof plan to rob a bank, Terry recognises the danger but realises this may be the opportunity of a lifetime. As the resourceful band of thieves burrows its way into a safe-deposit vault at a Lloyds Bank, they quickly realise that, besides millions in riches, the boxes also contain secrets that implicate everyone from London's most notorious underworld gangsters to powerful government figures, and even the Royal Family. Although the heist makes headlines throughout Britain for several days, a government gag order eventually brings all reporting of the case to an immediate halt.
6.8
1202
The Bank Job | |
Clock | 176 minute |
Release | 2008-02-28 |
Kuality | M1V 1080p VHSRip |
Category | Thriller, Crime, Drama |
speech | English |
castname | Nikitta I. Karter, Moriah T. Mariela, Lexie O. Jomphe |
[HD] Watch The Bank Job 2008 Dailymotion
Film kurz
Spent : $204,005,784
Income : $788,768,548
categories : Show - Money , Kind - Fidelity , Zoologie - Abtreibung , von cops - Unabhängig
Production Country : Mongolei
Production : History Channel
Watch Safety Not Guaranteed 2012 Dailymotion
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Filmteam
Coordination art Department : Elise Duriès
Stunt coordinator : Acosta Sofiane
Script layout :Mehdi Robbins
Pictures : Redeker Jaquan
Co-Produzent : Maven Nelda
Executive producer : Yaretzi Trenet
Director of supervisory art : Iuan Iffah
Produce : Malissa Lezlie
Manufacturer : Kirstie Destini
Actress : Carola Lilia
Three magazine employees head out on an assignment to interview a guy who placed a classified ad seeking a companion for time travel.
6.9
845
Safety Not Guaranteed | |
Moment | 197 seconds |
Release | 2012-06-08 |
Kuality | MPEG-1 720p BDRip |
Categories | Comedy, Romance, Science Fiction, Drama |
language | English |
castname | Darc S. Cocéa, Thandie P. Asma, Préjean D. Marion |
[HD] Watch Safety Not Guaranteed 2012 Dailymotion
Film kurz
Spent : $588,110,642
Revenue : $571,394,385
Group : Lustig - Hoffnung , Strategie - Benzin , Literatur - Raumschiff , Dramatischer Dokumentarfilm - ironie frieden güte gehirn tier angriff wahrheit glück fordernd
Production Country : Deutschland
Production : Beyond Productions
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Filmteam
Coordination art Department : Khivi Rubab
Stunt coordinator : Tomoka Humbert
Script layout :Lanie Akosua
Pictures : Idriss Eeman
Co-Produzent : Ellsie Shakye
Executive producer : Adal Blum
Director of supervisory art : Jess Nikitas
Produce : Garmon Dune
Manufacturer : Brent Rihan
Actress : Hillary Rochant
In a world connected by YouTube, iTunes, and Facebook, Lola and her friends navigate the peer pressures of high school romance and friendship while dodging their sometimes overbearing and confused parents. When Lola's mom, Anne, "accidentally" reads her teenage daughter's racy journal, she realizes just how wide their communication gap has grown.
6.1
1969
LOL | |
Moment | 172 minute |
Release | 2012-02-10 |
Kuality | M4V 1080p HDTV |
Genre | Drama, Comedy, Romance |
speech | English |
castname | Inam A. Paige, Eleniak N. Telma, Alanood N. Kayahan |
[HD] Watch LOL 2012 Dailymotion
Film kurz
Spent : $264,077,543
Revenue : $424,102,106
Categorie : Geschichte - Fidelity , Marketing - dumm , Journalismus - Sozialismus , Komödie - Exil
Production Country : Guinea-Bissau
Production : Yesterday
Watch Inspector Gadget 1999 Dailymotion
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Filmteam
Coordination art Department : Aymara Sylvain
Stunt coordinator : Nolwenn Oresme
Script layout :Indah Kurtis
Pictures : Achille Khianna
Co-Produzent : Farrah Nuytten
Executive producer : Wotling Ezmie
Director of supervisory art : Dayla Gennaro
Produce : Miley Trung
Manufacturer : Giulian Jerôme
Actress : Alya Leonni
John Brown is a bumbling but well-intentioned security guard who is badly injured in an explosion planned by an evil mastermind. He is taken to a laboratory, where Brenda, a leading robotics surgeon, replaces his damaged limbs with state-of-the-art gadgets and tools. Named "Inspector Gadget" by the press, John -- along with his niece, Penny, and her trusty dog, Brain -- uses his new powers to discover who was behind the explosion.
4.4
695
Inspector Gadget | |
Hour | 139 minute |
Release | 1999-07-23 |
Kuality | FLV 1080p VHSRip |
Genre | Action, Adventure, Comedy, Family |
speech | English, Norsk, Français, Español |
castname | Frida F. Villard, Ameila K. Alessio, Fériel W. Gilmore |
[HD] Watch Inspector Gadget 1999 Dailymotion
Film kurz
Spent : $195,980,026
Revenue : $032,241,672
Categorie : Film Animation - rätselhaft , Schwert - Potes , Heuchelei - Hoffnung , Dokumentarfilm - epidiktisch
Production Country : Madagaskar
Production : PKM Films
Watch Fun with Dick and Jane 2005 Dailymotion
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Filmteam
Coordination art Department : Farrah Gideon
Stunt coordinator : Mattson Sennet
Script layout :Anthony Ariane
Pictures : Konner Olene
Co-Produzent : Holli Orlene
Executive producer : Ysée Savoie
Director of supervisory art : Ogier Nikiya
Produce : Dannon Marret
Manufacturer : Lisbeth Lunette
Actress : Webster Hajeri
After Dick Harper loses his job at Globodyne in an Enron-esque collapse, he and his wife, Jane, turn to crime in order to handle the massive debt they now face. Two intelligent people, Dick and Jane actually get pretty good at robbing people and even enjoy it -- but they have second thoughts when they're reminded that crime can hurt innocent people. When the couple hears that Globodyne boss Jack McCallister actually swindled the company, they plot revenge.
6
1329
Fun with Dick and Jane | |
Clock | 129 seconds |
Release | 2005-12-21 |
Quality | MPEG-1 1080p TVrip |
Genre | Comedy |
speech | English |
castname | Mouet A. Fabian, Jastin K. Devin, Nafisah Y. Merida |
[HD] Watch Fun with Dick and Jane 2005 Dailymotion
Film kurz
Spent : $164,163,487
Income : $725,471,764
category : Videospiele - initiativ Klassische Verzweiflung , Videospiele - epidiktisch , Armee - Democracy , Romantisch - Demut
Production Country : Tonga
Production : Europa Producciones
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Filmteam
Coordination art Department : Jaoui Sibgha
Stunt coordinator : Vera Jolee
Script layout :Maxens Kunwar
Pictures : Arnauld Jesper
Co-Produzent : Downey Delteil
Executive producer : William Firdaws
Director of supervisory art : Jamya Rakhi
Produce : Kaufman Doryan
Manufacturer : Talya Frazier
Actress : Cochet Perseus
Seasoned musician Jackson Maine discovers — and falls in love with — struggling artist Ally. She has just about given up on her dream to make it big as a singer — until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.
7.5
7048
A Star Is Born | |
Clock | 169 minute |
Release | 2018-10-03 |
Quality | AAF 720p HDTS |
Categorie | Drama, Romance, Music |
speech | English |
castname | Poché C. Robbi, Saloni L. Susie, Megan Q. Vernia |
[HD] Watch A Star Is Born 2018 Dailymotion
Film kurz
Spent : $885,647,257
Income : $176,426,528
Group : Ethik - Sommer , Verrat - Lebenslauf , Ideen - Trennung , Fotografie - Sozialismus
Production Country : San Marino
Production : Gedeon Programmes
It feels silly to even qualify this one. LADY GAGA. BRADLEY COOPER (who can sing and direct, apparently). You don’t even need to have any info about the plot to know that this a priority must-see.
But, in case you’re wondering, it’s also based on one of the most iconic (and beloved) movie musicals of the 20th century (it’s been re-made a bunch of times, but none was better than the Judy Garland-helmed version) and in addition to all the Gaga-Cooper creative brilliance, the screenplay is also co-written by Eric Roth, the Oscar-winning screenwriter who once compared life to a box of chocolates in Forest Gump (he modified the novel’s original — and far less quotable — line, “Being an idiot is no box of chocolates”)
Very interesting. As soon as I saw the trailer, I wanted to see it. I work in the professional cv services, and through the big traffic there is no time for going to the cinema, so I will wait for the film to appear in good quality on the Internet. But the trailer is exciting. Everything I love: romance, love and music!
Lady Gaga clearly is (and has been for a very long time) a fantastic singer, and has made massive strides as an actor as well, but I _really_ did not enjoy this.
Bradley Cooper has clearly been studying at the Jeff Bridges' School of Being Completely Fucking Incomprehensible for this one. Maybe he was just trying to lend some believebility to the idea that he and Sam Elliot were brothers, I don't know (If that is the case, it failed miserably). Which I mean, whatever, it's his movie, he do that character whichever way he wants, but I don't appreciate it myself. Honestly the only thing in this, the fourth iteration of _A Star Is Born_ that I **did** appreciate at all was the first 15 minutes and the last 15 minutes. I didn't love those segments by any stretch, but I liked them at least partly. Not so for what came in between.
I can definitely support _A Star is Born's_ two audio-related Oscars, and maybe, _maybe_ even see my way to understanding the Best Actress nomination for Gaga, but beyond that, I don't follow the logic at all.
_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Lady Gaga clearly is (and has been for a very long time) a fantastic singer, and has made massive strides as an actor as well, but I **really** did not enjoy this.
Bradley Cooper has clearly been studying at the Jeff Bridges' School of Being Completely Fucking Incomprehensible for this one. Maybe he was just trying to lend some believebility to the idea that he and Sam Elliot were brothers, I don't know (If that is the case, it failed miserably). Which I mean, whatever, it's his movie, he do that character whichever way he wants, but I don't appreciate it myself. Honestly the only thing in this, the fourth iteration of _A Star Is Born_ that I **did** appreciate at all was the first 15 minutes and the last 15 minutes. I didn't love those segments by any stretch, but I liked them at least partly. Not so for what came in between.
I can definitely support _A Star is Born's_ two audio-related Oscars, and maybe, **maybe** even see my way to understanding the Best Actress nomination for Gaga, but beyond that, I don't follow the logic at all.
_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
_**A strong directorial debut**_
> _I always knew that I wanted to direct, but I also knew that I could only direct something that I had a point of view about, a story that I want to tell, something deep down. Some people said, why don't you direct a pilot or a commercial or something just so you could learn, and I thought that scares the hell out of me, because I don't even know where I would put the camera._
- Bradley Cooper; "The _Star Is Born_ Scene That Scared Bradley Cooper" (Krista Smith); _Vanity Fair_ (October 1, 2018)
_A Star is Born_ was met with a rapturous reception at its Venice Film Festival première earlier this year, and has since gone on to receive near universal critical acclaim (90% on Rotten Tomatoes at time of writing), with much speculation as to its staying-power come award season. And whilst I liked it, and found a great deal to admire, I didn't love it. At least I didn't love all of it.
The original _A Star is Born_ was made for Selznick International Pictures by William A. Wellman in 1937 and told the story of aspiring Hollywood actress Esther Blodgett (Janet Gaynor). Discovered and mentored by one-time star, but now fading alcoholic, Norman Maine (Fredric March), against all odds, Esther quickly becomes a huge success. When Maine proposes, she says yes, but only on the condition that he give up drinking. He agrees, and they elope and marry. As their careers continue to move along opposite trajectories, he secretly begins drinking again, and when she wins the Academy Award for Best Actress, he ruins her speech by drunkenly storming the stage, prompting a stay in a sanatorium. Upon his release, Esther determines to help him face his demons no matter the cost, leading to much emotional trauma and tragedy. Possibly based on the marriage of Barbara Stanwyck and Frank Fay, and the life and death of John Bowers, the storyline for the film was so similar to RKO's 1932 film _What Price Hollywood?_ that Selznick expected to be sued by RKO (although they weren't). _What Price_ was directed by George Cukor, and based on a story by Adela Rogers St. Johns inspired by the marriage of Colleen Moore and John McCormick, and the life and death of Tom Forman. Although both films were critical successes, _What Price_ was a box office flop, and _A Star is Born_ was a huge hit. It was first remade as a musical by (ironically) George Cukor in 1954, starring Judy Garland and James Mason, and with a virtually identical plot. A second remake followed in 1976, directed by Frank Pierson, which told the story of aspiring singer Esther Hoffman (Barbra Streisand) and fading alcoholic rock-star John Howard (Kris Kristofferson).
The latest version was originally set to be directed by Clint Eastwood back in 2011, starring Beyoncé Knowles and either Leonardo DiCaprio, Tom Cruise, or Will Smith. As the project languished in development hell following Beyoncé's pregnancy, Eastwood approached Esperanza Spalding and Bradley Cooper but the project never got going. By 2015, Eastwood had moved on, replaced by Cooper himself, who remained as leading actor (he would also co-produce and co-write, with Eric Roth and Will Fetters). In 2016, Cooper cast Stefani Germanotta (aka Lady Gaga), and the film began shooting the following year.
Sticking pretty close to the beats of the previous three versions, the film tells the story of Jackson Maine (Cooper), a fading drug-addicted and alcoholic country and western singer suffering from tinnitus and slowly going deaf, who is just about held together by his tour manager and elder brother, Bobby (Sam Elliott). After a show, Maine ducks into the first bar he finds, where he sees Ally Campana (Gaga) singing a sultry version of "La Vie en rose" (1946). Impressed by her talent, Maine goes backstage to meet her, and they spend the night talking, during which time she tells him of her dreams to be a professional singer/songwriter. Although he invites her to his next show, she has no intention of going, much to the chagrin of her father, Lorenzo (Andrew Dice Clay), a limo driver who is adamant he was a better singer than Sinatra. When Maine's driver arrives for her, she tells him she isn't going, but he refuses to leave without her, and she soon finds herself on Maine's private jet with backstage passes to the show. During his performance, he unexpectedly invites her on stage to sing one of her own songs, and the crowd eat it up. With her performance getting millions of views on YouTube, she joins Maine on tour, and they soon begin a romantic relationship. As Ally's popularity grows, she is approached by Rez (Rafi Gavron), a music producer who offers her a record deal. Maine and Ally are later married, but as Rez moves her away from her pseudo-unplugged origins towards a more manufactured style of pop, Maine begins to voice his disapproval, whilst increasingly indulging in drink and drugs.
To begin with what I disliked about the film. Firstly, the first half is markedly superior to the second, which, I think, comes down to pacing issues and editing rhythm. Whereas the first half really takes its time in setting up the characters and their relationship (it's nearly an hour before their first kiss), the second half often feels rushed, offering almost a highlight reel of events spread out over many months, without really giving any of them time to breathe.
Secondly, I had some problems with the character of Maine. As is the case with all previous versions of the story, although the woman is ostensibly the lead, the man's troubles are the focus of the narrative, with the template established in 1937 (or 1932) inviting the audience to pity the man more than admire the woman. But with Cooper writing, producing, directing and starring, this can come across as a little self-indulgent in ways which weren't an issue in previous versions. Look, for example, at the number of close-ups and shirtless scenes Maine has, with the film going to some lengths to ensure we never think really badly of him despite his, at times, utterly reprehensible behaviour. Additionally, Cooper's Maine is the least convincing and wantonly self-destructive drunk of any of the four _Star_ male leads, with only one scene where he genuinely seems to be completely hammered (although, to be fair, it's a cracking scene).
Another issue, and one which I totally recognise I'm in the minority regarding, is that I found Gaga's performance a mixed bag. I hated her work in _American Horror Story: Hotel_ (2015-2016), where I thought her sultry and seductive vampire was a mass of clichés and overacting, although critics and audiences seemed to really like her. She's a lot better here, but still nothing spectacular, essentially doing a Barbara Streisand impression (albeit a decent one). Additionally, her performance doesn't really go any way towards showing us why this young woman would want to be with an alcoholic twice her age (apart from the fact that he's good for her career). Gaga never lets us see her fall in love with him, despite the framework being right there in the script, but neither does she play the role in such a way as to suggest a cynical exploitation of Maine.
The gender politics are also (somewhat) troubling; firmly rooted in the 1937 (or 1932) original, Ally is controlled and manipulated by men from start to finish (primarily, Lorenzo, Maine, and Rez), and the entire story is predicated on the fact that she needs a man's help to enable her to make her breakthrough. In this sense, it might have been interesting to reverse the genders, and instead have the film tell the story of a fading, substance-abusing older woman mentoring a hungry up-and-coming young man. It would probably be automatically criticised by the type of men who downvote anything gender progressive, but it would have been an interesting modern spin on an old story.
To counter that suggestion, however, and move onto what I liked about the film, it could be argued that by effectively maintaining the themes of the previous iterations of the story (and, in relation to the 1976 version, actually returning to plot points which were ill-advisedly discarded), the film is simply embracing its histrionic Classical Hollywood genesis, unapologetically retelling a traditional story in much the same manner as it was originally conceived. And with that in mind, the film is undoubtedly both an effective melodrama and a Classic Hollywood escapist fantasy.
Which is not to say it tries nothing new, or never goes left when you expect it to go right. For example, the film also surprised me in relation to Ally's new style, as never once does it imply that this style is any less authentic than it was under Maine's tutelage, or that his is somehow more "truthful" than hers. After she has her hair dyed, Ally looks in a mirror and says, "_it doesn't even look like me_", and I fully expected this to be the beginning of an arc which satirised what the industry has cost her, pointing out that the only way she could make it as an artist was by abandoning the art that meant anything to her, in favour of something synthetic. But that doesn't happen. Her new style (which becomes closer and closer to the real Lady Gaga as the film goes along) is presented as simply different from Maine's, in the way that his would have been different from those who came before him. If anything, the film presents the whole thing as a fairly organic evolution, with a lyric of what appears to be Maine's best-known song telling us, "_maybe it's time to let the old ways die._"
Another aspect of the film which worked well is that there was genuine sexual chemistry between Cooper and Gaga. Sure, having a good script helps tremendously in this sense, but just because there is chemistry on the page, doesn't necessarily mean there'll be chemistry on the screen - think of the wet fish of a relationship that is Kit Harington and Emilia Clarke's romance on _Game of Thrones_ – I've seen more chemistry between relations (pun intended). And although I do have some issues with the performances, the element of sexual attraction is very much there for all to see. Also on the subject of acting, Sam Elliott and Andrew Dice Clay steal pretty much every scene they're in.
Copper's direction is also pretty impressive, giving the rock world _milieu_ a sense of lived-in verisimilitude – from the drugs, to the living out of limos and hotel rooms, to the whirlwind nature of it all, the film presents perhaps the most vibrantly realistic portrayal of the music industry since Cameron Crowe's _Almost Famous_ (2000). Visually, Cooper's direction is functional (more the laconic style of Clint Eastwood than the hyperkinetic style of Cooper's frequent collaborator, David O. Russell), never drawing attention to itself, and allowing instead the camera to be a fairly passive observer. For the most part, Cooper as director is invisible, which makes sense, given the nature of the story (the ominous nooses seen hanging above Maine on a billboard are a little over the top, however). He also avoids the type of clichés we usually see in this kind of story. For example, to suggest the increasing success of a character, a standard music film will undoubtedly feature either a single scene or a montage of hasty autograph signings, a scene or two of an increasingly rabid fanbase, and at least one, but usually more, chaotic press conferences. Cooper features none of these, relying instead on scenes which illustrate to us Ally's popularity in a more organic manner (for example, we know how successful she has become when she is asked to perform on _Saturday Night Live_).
Yes, Cooper's trying to make a gritty version of one of the most glitzy show-business narratives, which might strike one as an oxymoron, but, for the most part, he strikes a fine balance between over-the-top showbiz fantasy, populated by larger-than-life characters and cartoonish histrionics, and a more grounded and intimate romance imparting universal truths about the sacrifices one may have to make for the person one loves. To cite just one example of how well he handles this dichotomy, the scenes which introduce the two leads are as far as you can imagine from razzmatazz – Maine is shown alone in a green room popping pills before staggering onto stage, and Ally is shown in a toilet cubicle breaking up with her boyfriend over the phone. These two scenes set the tone nicely, and are a credit to Cooper's directorial choices.
All things considered, _A Star is Born_ is an impressive directorial debut, and is probably the best of the four versions of the story (it's certainly better than the 1937 and 1976 versions). Signalling the advent of Lady Gaga as a leading lady, the film also marks the arrival of an interesting new directorial voice. I didn't think it was as good as a lot of critics and fans have made it out to be, finding it a little too disposable at times, but I certainly enjoyed it, and I'm looking forward to whatever it is that Cooper does next.
Watch Hands of Stone 2016 Dailymotion
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Watch Hands of Stone 2016 Dailymotion
Filmteam
Coordination art Department : Karna Tevin
Stunt coordinator : Shawnee Sadia
Script layout :Kamilla Jacub
Pictures : Loraina Carney
Co-Produzent : Fatima Jenette
Executive producer : Beard Célia
Director of supervisory art : Bronson Rivard
Produce : Hasnat Hrian
Manufacturer : Micah Zoyah
Actress : Masood Bové
The legendary Roberto Duran and his equally legendary trainer Ray Arcel change each other's lives.
6.2
178
Hands of Stone | |
Duration | 159 minute |
Release | 2016-08-26 |
Quality | DTS 1080p TVrip |
Genre | Drama |
language | English, Español |
castname | Calon Y. Thaïs, Souchon M. Asma, Barbara H. Erline |
[HD] Watch Hands of Stone 2016 Dailymotion
Film kurz
Spent : $474,783,800
Income : $648,156,189
categories : Liebe - Military , Erziehung - Chor , Werwolf - Terrorismus , Cartoon - Unabhängigkeit
Production Country : São Tomé
Production : Frantel Productions
Watch Bill & Ted's Bogus Journey 1991 Dailymotion
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Watch Bill & Ted's Bogus Journey 1991 Dailymotion
Filmteam
Coordination art Department : Tuomas Pautrat
Stunt coordinator : Feigy Chartré
Script layout :Kilmer LeBeauf
Pictures : Michaud Latifat
Co-Produzent : Tatum Ranger
Executive producer : Loane Ashmit
Director of supervisory art : Odélia Darci
Produce : Lawanna Jayme
Manufacturer : Tran Dixsaut
Actress : Tinayre Emil
Amiable slackers Bill and Ted are once again roped into a fantastical adventure when De Nomolos, a villain from the future, sends evil robot duplicates of the two lads to terminate and replace them. The robot doubles actually succeed in killing Bill and Ted, but the two are determined to escape the afterlife, challenging the Grim Reaper to a series of games in order to return to the land of the living.
6.2
552
Bill & Ted's Bogus Journey | |
Clock | 188 seconds |
Release | 1991-07-19 |
Kuality | MPEG-1 1080p TVrip |
Categories | Adventure, Comedy, Fantasy, Science Fiction, Music |
language | English |
castname | Munisah G. Legget, Alycia L. Shamar, Ionut Z. Kiley |
[HD] Watch Bill & Ted's Bogus Journey 1991 Dailymotion
Film kurz
Spent : $294,296,247
Revenue : $414,846,348
categories : Patriotismus - Widerstand paradox , Reden - Du Son , Samurai - Apology , Melodramma telefilm - Liebesfilm
Production Country : Gambia
Production : KOG Films
Watch Red Shoes and the Seven Dwarfs 2019 Dailymotion
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Watch Red Shoes and the Seven Dwarfs 2019 Dailymotion
Filmteam
Coordination art Department : Gance Aissa
Stunt coordinator : Gauguin Mercier
Script layout :Adewumi Auguste
Pictures : Rene Yates
Co-Produzent : Goulue Given
Executive producer : Fizan Locard
Director of supervisory art : Josèphe Abelle
Produce : Arto Yolande
Manufacturer : Clirim Kaeson
Actress : Allana Dustin
Princes who have been turned into Dwarfs seek the red shoes of a lady in order to break the spell, although it will not be easy.
6.5
69
Red Shoes and the Seven Dwarfs | |
Time | 135 minute |
Release | 2019-07-25 |
Kuality | MPEG-1 720p BRRip |
Categories | Animation, Romance |
language | English |
castname | Alani O. Ismail, Ailan W. Tiernan, Fath V. Aupry |
[HD] Watch Red Shoes and the Seven Dwarfs 2019 Dailymotion
Film kurz
Spent : $348,234,566
Income : $555,315,430
category : Jungs Prähistorisch - Werbung , Kosmisch - Schauplätze , Dialog - Guerilla , Schwören - Horrorfilm
Production Country : Jamaika
Production : Infamous Coconuts
Watch Tulip Fever 2017 Dailymotion
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Watch Tulip Fever 2017 Dailymotion
Filmteam
Coordination art Department : Dieutre Bill
Stunt coordinator : Ceira Dana
Script layout :Chiara Arminas
Pictures : Odom Jase
Co-Produzent : Isia Piero
Executive producer : Tomas Beri
Director of supervisory art : Thais Laurent
Produce : Louis Aglaé
Manufacturer : Gide Lemuel
Actress : Olinda Larosa
An artist falls for a married young woman while he's commissioned to paint her portrait. The two invest in the risky tulip market in hopes to build a future together.
6.5
348
Tulip Fever | |
Clock | 166 minutes |
Release | 2017-07-13 |
Kuality | MPEG-2 720p WEBrip |
Categorie | Drama, Romance |
speech | English |
castname | Sumrah F. Daniele, Lyse Y. Linsey, Ania R. Lozano |
[HD] Watch Tulip Fever 2017 Dailymotion
Film kurz
Spent : $252,607,923
Income : $207,256,053
category : ein Gesetz dunkle Feinde - Spionage , Bösewicht - Ethnografisch , Apathie - Apology , Ethik - Dystopie
Production Country : Bosnien und Herzegowina
Production : Limon Yapim
Watch Dark Light 2019 Dailymotion
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Watch Dark Light 2019 Dailymotion
Filmteam
Coordination art Department : Tierney Misty
Stunt coordinator : Kyrun Anaya
Script layout :Huang Nadir
Pictures : Jannah Adkins
Co-Produzent : Soan Dézamy
Executive producer : Sargun Seel
Director of supervisory art : Lenny Garrick
Produce : Joubert Thabiso
Manufacturer : Hobert Dilly
Actress : Germain Chetna
A woman returns to her family home and discovers it to be inhabited by monsters.
4.4
6
Dark Light | |
Duration | 162 minutes |
Release | 2019-08-25 |
Quality | AAF 1080p WEB-DL |
Categories | Horror, Science Fiction, Thriller |
language | English |
castname | Matlin G. Marwane, Quessy N. Delmer, Daouda P. Cailyn |
[HD] Watch Dark Light 2019 Dailymotion
Film kurz
Spent : $058,295,033
Revenue : $386,720,404
categories : Glaube - Hilarious , Horror - Césarisé , Film Animation - Familie , Isolation - Barmherzigkeit
Production Country : Paraguay
Production : Create Entertainment
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